Common mistakes by native language
Japanese speakers
Mistake: Fully releasing the final "s" of "this" and inserting a small pause before starting "one": "this, one".
Why: Japanese phonotactics rarely allow a fricative like [s] to sit directly against a following glide, so learners default to closing each word off cleanly before moving to the next.
Fix: Let the [s] glide straight into the [w] that opens "one" with no break: [ðɪsˌwʌn], as one continuous breath group.
Korean speakers
Mistake: Adding a brief vowel-like release after "this", producing something closer to "thisuh one".
Why: Korean syllables are almost always closed with a clear final consonant or a neutral release, and that release habit carries over to English s-endings before another word.
Fix: Keep the tongue moving directly from the [s] position into the lip-rounded [w], without any extra vowel sound in between: [ðɪsˌwʌn].
Chinese speakers
Mistake: Treating "this" and "one" as two separate rhythmic beats with equal stress and a tiny gap, similar to two independent Mandarin syllables.
Why: Mandarin has no coda consonants that connect across word boundaries the way English [s] does, so each syllable naturally stands alone.
Fix: Practice compressing "this one" into a single smooth unit where "one" carries the main stress: [ðɪsˌwʌn], with "this" light and quick.
Notes
"This one" is one of the most common two-word phrases in spoken English, used constantly for pointing, choosing, and comparing, so its connected-speech shape is worth mastering early. The final [s] of "this" does not stop the airflow before "one" begins; instead it flows directly into the rounded [w] glide, producing the smooth sequence [ðɪsˌwʌn]. Notice that "one" carries stronger stress than "this", which stays light and quick, almost like an unstressed lead-in syllable. Many learners assume linking only happens between a consonant and a true vowel sound, but "this one" shows that the same zero-gap principle applies when the next word starts with a semivowel like [w] or [j] as well — the mouth simply keeps moving without pausing to reset. Because "this one" appears in shopping, decision-making, comparison, and pointing contexts dozens of times a day, learners who master its natural rhythm gain a small but frequently reinforced pronunciation win that also generalizes to other s-plus-glide sequences such as "this year" or "such as".